Archive for the ‘Playspace Dynamics’ Category

The Positive Principle: Building Your Capacity for Improvisation and Appreciative Inquiry

Thursday, October 28th, 2010

In the midst of teaching a graduate course on personal and organizational change where we are exploring the value of developing individual and systems’ capacity for change, I pulled up an excerpt from a longer article on the symbiotic relationship between improvisation and appreciative inquiry (the full article is available at the link below). Hope you enjoy it!

The Positive Principle (D. L. Cooperrider, Sorensen, Whitney, & Yaeger, 2000: 20) is a central and guiding principle of Appreciative Inquiry (AI), as well as its theoretical foundation  [NOTE: For fuller introduction, download Organizational Improvisation & Appreciative Inquiry:] Not based in deficit thinking, rabid searches for “problems” or organizational challenges, AI looks for “that which gives life to the organization.” For legions of executives and MBA graduates this is indeed a radical, even heretical concept. Many business people build their credibility and careers on their ability to identify and solve problems. Even I, as I was starting my consulting practice, was counseled to identify “the problem to which I was the answer.”

My experience bears out this ingrained “problem focus.” Working with clients and students using the AI process, I have noticed how often they are tempted to shift into “problem-solving” mode, or to ask deficit-focused questions once the appreciative inquiry is underway. Here, additional competence in the practice of principles of improvisation can help AI participants leverage the positive, forward movement of the inquiry toward its positive potential.

AI involves, in a central way, the art and practice of asking questions that strengthen a system’s capacity to apprehend, anticipate, and heighten positive potential (Cooperrider, Sorensen et al. 2000: 5).

Improvisation, like AI, is founded on a positive principle—the principle of Say, “Yes, and . . .” (Meyer, 2000: 63). Improvisers must accept (or say, “yes”) to anything they discover on stage, receive from another player or the audience. They cannot stop at acceptance, however, they must move the action forward by adding their own discoveries (saying, “and . . .”). This positive orientation is the foundation for improvisation success, as it is for all creative collaborations in business and life.

The conceptual framework of AI is most often translated into practice as the 4-D process (D. Cooperrider & Whitney, 2000; Hammond, 1998; Watkins & Mohr, 2001). AI, not only supports positive organizational change, but helps individuals build some of the skills necessary for successful improvisation in the workplace. The practice of AI also contributes to organizational memory via storytelling and while giving individuals opportunities to cultivate their improvisation competencies and foster a culture where improvisation is more likely to be successful. Additionally, the inquiry process is grounded in the lived experiences of organizational participants. To discover the positive core of these experiences, AI participants must listen closely and without judgment—essential competencies for improvisation.

At the center of the “4-D Process” of AI is inquiry into personal positive experiences related to the topic. Concert pianist and consultant, Michael Jones writes

Creativity involves living in the question—Improvising involves a living inquiry into what is. When our conditioned knowledge and theories no longer serve us, we need to inquire more deeply into things as they are. This creates a space for more subtle insights to emerge (1997: 60).

An inquiry of quality and depth, grounded in individual experience also promotes organizational learning as framed by Crossan, Lane and White (1996) as including intuition, as well as interpreting, integrating and institutionalizing new discoveries. Individual learning, within this framework, includes changes in cognition and/or behavior. Integrated learning represents a change in both cognition and behavior. An inquiry that invites participants to share their experiences and make (sometimes new) meaning of them, then, may enhance this integration process while building individual experience, comfort and capacity to  “live in the question” and improvise.

Cooperrider, D., & Whitney, D. (2000). A positive revolution in change: Appreciative inquiry. In D. L. S. Cooperrider, Jr., Peter F.; Whitney, Diana; Yaeger, Therese (Ed.), Appreciative inquiry (pp. 3-27). Champaigne, IL: Stipes.

Cooperrider, D. L., Sorensen, J., Peter F., Whitney, D., & Yaeger, T. (Eds.). (2000). Appreciative Inquiry: Rethinking human organization toward a positive theory of change. Champaign, IL: Stipes.

Crossan, M., Lane, H. W., & White, R. E. (1996). Organizational learning: Toward a unifying framework.Unpublished manuscript, London, Ontario.

Hammond, S. A. (1998). The thin book of appreciative inquiry (2nd ed.). Plano, TX: Thin Book Publishing.

Jones, M. (1997). Getting creativity back into corporate decision making. Journal for Quality & Participation, 20(1), 58-62.

Meyer, P. (2000). Quantum Creativity: Nine principles to transform the way you work. Chicago: Contemporary Books.

Watkins, J. M., & Mohr, B. J. (2001). Appreciative inquiry: Change at the speed of imagination. San Francisco: Jossey-Bass/Pfeiffer.

From Workplace to Playspace in High-Pressure Organizations

Monday, September 20th, 2010

How do we create playspace in very serious, high-pressure, high-stakes environments? I have written about some notable examples of playspace in banking describing the high-engagement experience that Umpqua Bank co-creates each day in From Workplace to Playspace. But what about other high-stakes environments? What about in health care?

How do we make room for engagement, fresh ideas, and open communication when the stakes are literally life and death and there are never enough hours in the day?


Recently, an old friend from high school contacted me to let me know that he was in town for a medical conference. Before reaching out, my friend Dr. John Lanaghan, had poked around my website and without being asked, offered a beautiful answer to this question via email:

I got to watch one of your recent interviews. Interesting. But I thought that wouldn’t work in a medical workplace–no time for play. Then I kept reflecting on it and realized (long story) how I noticed that it did. I had been at one office for 5 yrs and made an effort to enjoy my time with my co-workers by chatting, celebrating birthdays, kid activities, and playing when possible. Then 5 months ago I started splitting my time between two sites. Suddenly my old site was a bummer and the new location was a pleasure. After your video I realized that I had stopped doing the fun things with the old group, while the new job involved hospital rounds where there was lots of walking and talking and joking. Now I have made an effort to make it to lunch at the same time as my coworkers at the old place and some of the enjoyment of the job is returning.

When we met for dinner the next night, John shared more about his work. He has spent much of his career in family medicine at the V.A. Medical Center in Iowa City, and had recently begun splitting his time providing palliative care, also in the V.A. system. He acknowledged the challenge of negotiating around large egos and the medical system itself. These were not insurmountable, however, as his own experience and efforts attest. John’s reflections show a deep and intuitive understanding of the ways we can create the space for the play of new ideas and connections in our everyday conversations and interactions. Playspace is not always (or even often) about our traditional conception of play—it is about the space that enables us to engage as whole human beings.

Thank you, John Lanaghan, M.D., for sharing your reflections and to all who co-create playspace doing extra-ordinary work in often challenging circumstances each day!

Outing Other People’s Humanity

Wednesday, August 18th, 2010

At this year’s Academy of Management conference in Montreal, artist and scholar, Nancy Adler shared that she sees her role as “outing other people’s humanity” while speaking at one of several events in her honor. As she reflected on a few colleagues who were closet musicians, visual artists, and/or participated in their community in other generative ways, she challenged us by asking us why we, in business and scholarship, haven’t begun to think about the beautiful?

Nancy Adler Speaking at Academy of Management Dinner in Montreal

Adler followed this with three more provocative questions about beauty and leadership.

  1. Can we reclaim our ability to see the beauty that’s there?
  2. Can we reclaim our ability to imagine what’s beautiful?
  3. Can we reclaim our role as leaders and human beings to make the world a more beautiful place?

If we truly take up Adler’s challenge and surrender to living these particular questions, I believe we cannot help but out our own and each others’ humanity. For as we reclaim our ability to see, imagine and create the beautiful, the artificial barriers that separate our playful self from our serious work self will fall away, as will barriers separating our goal-oriented self, from our process self; our indoor self from our outdoor self, our artist self from our management self, and all of our other dualistic selves.

As a gay person, I have long held the position that to “out someone” is a violation that could potentially put the outed person in serious harm’s way—emotionally, socially, and even physically—depending on the context. In this case, outing should, except in cases of extreme hypocrisy (a vocally anti-gay public figure) be the sole business of the individual.

Adler has gotten me thinking, though. Just as more people take the risk of coming out about their sexual orientation makes the climate safer and more accepting for all (research shows that people who have a close acquaintance or family member who is gay are far more likely to be accepting), should we not be encouraging others to come out around other aspects of their humanity? Will this not make it safer and more acceptable to be human—to bring our whole selves to work, and into all aspects of our lives?

What, then, is our role as leaders, facilitators, and participants in co-creating the space in which it is safe enough to come out?

What beauty might we discover and co-create together when we reclaim this responsibility?

Improvisation Capacity & Playspace

Wednesday, May 12th, 2010

The dynamics of playspace come to life as they are enacted each day in the real-time spaces we create. I first discovered the power of playspace through the detailed descriptions of people who were developing their capacities for innovating, learning, and changing as they learned improvisation.

As I analyzed their experiences, I saw two important interconnected phenomena. First, the individual capacities emerged as people developed increasing awareness, acceptance, and appreciation of themselves, their colleagues, and their context in action. Second, people’s individual experience came to life through dynamic engagement in the playspace the co-created. The more playspace people experienced, the more improvisation capacity they developed and the more improvisation capacity they developed, the more playspace they experienced.

From: From Workplace to Playspace: Innovating, Learning and Changing Through Dynamic Engagement (Jossey-Bass, 2010)

In this short video I describe and demonstrate the relationship between playspace and improvisation capacity:

Three Ways Fools Foster Creativity

Thursday, April 1st, 2010

One of the most powerful influencers of the available space for new ideas and perspectives are the people who are willing to be “foolish” when everyone else around them is overly stressed, serious, or attached to their own ideas. It is particularly apt to celebrate these fools today, a day where we play practical jokes, take ourselves a little less seriously, and loosen our grip on our well-honed “brand identities.”

My father, pictured here, was the earliest “April Fool” in my life. In my formative years, he was an architect by day, as well as a master of silliness and innovation. There was no idea or adventure too outlandish to at least get air time, if not actual exploration and implementation—including designing a childhood fantasy room for me with no walls, hanging from the ceiling, and seriously considering building a small airplane in the garage (he was also a pilot) that he would fly to and from work using the pond behind our house as his landing strip.

As with most of our parental relationships, mine with my father, became more complicated than this early role he played for me. And, today, I choose to celebrate his foolishness and all of the playspace he gave me permission to explore in my own life and work. I invite you to celebrate the April Fools in your life, today, too, and acknowledge all of the ways they foster innovating, learning and changing around them:

April Fools Take Permission: They don’t wait around to find out what the rules are, or monitor their behavior for fear of what others might think or say. Permission-Taker’s foster creativity and learning by provoking our sensibilities, pushing the envelope and sometimes making us a bit uncomfortable. These permission-takers create more space for all of us to step out of our familiar ways of thinking, being and doing and risk a bit of foolishness ourselves.

April Fools Give Permission: By being the first, biggest and/or loudest to play around with new ideas, experiment with new identities, create more play in the system, and room for improvised play, April Fools give everyone else permission to do the same. The safety and encouragement they foster are essential for many people to risk the discomfort that comes with exploring the previously uncharted territory of innovating, learning and changing.

April Fools Help Us Lighten Up. I once heard a lab director report that he knew his scientists were on the brink of a new discovery when he heard laughter coming down the hallway. It is often in the midst of silliness when we can literally play around with new ideas and perspectives, and make break-through discoveries and insights.

Just as the fools and court jesters of the Middle Ages and beyond took permission to say things to royalty that others wouldn’t dare, when we ourselves risk foolishness, we can provoke fresh thinking and new perspectives, and help others loosen their grip on their cherished identities and routines. Long live the fool!
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Follow the Energy

Tuesday, March 2nd, 2010

One of the consistent themes I have seen in everything from improvised scenes on stage to creative collaboration sessions and entire organizations is that when people follow the energy of what is most compelling and engaging they are more successful. Appreciative Inquiry is based on the principle that in every human system something works, and if we tap into the energy of what is working we will likely tap into what people care about and their generative capacity to create positive futures. Just as plants grow toward the sunlight so, too, do human systems grow toward their generative core. This does not mean that we ignore obvious problems, or put on rose colored glasses that only reveal the positive. It means that we use the generative energy of what drives us to co-create new and better possibilities.

In an improvised scene generativity is fostered by the practice of saying, “Yes, and . . .” or accepting a fellow players idea (or “offer”) and building on it with something that heightens and explores what is most interesting. In creative collaboration, it plays out similarly when people come together to generate new possibilities by building on each idea, rather than finding every flow, and in organizational systems it means following the people, processes and products that are generating most interest and attention, as well as revenue. In our personal and professional lives, it also means not laboring over relationships and projects that simply are not coming to life, or life-giving. I regularly have opportunities to relearn this lesson, and each time I have discovered that when I move on from a situation that is no longer generative, it frees up additional energy and resources for even more fruitful possibilities.
For more on the relationship between improvisation and appreciate inquiry, see my article at http://www.meyercreativity.com/articles/.

What if your work was fun?

Wednesday, January 20th, 2010

This 2 minute video is a great example of what a difference a little fun makes in our desire to do things, even things we know we “should” do (like exercise) and things we intend to do (like learn a new skill).

Inserting a little fun helps create playspace which entices us to engage in activities we might otherwise avoid/put off, and it energizes us and leaves us more open to new ideas, perspectives, and generally more connected to our fellow humans.

What if we spent a little more time thinking about ways to make key aspects of organizational life more fun?

Lady GaGa and Permission-Giving

Monday, January 11th, 2010

“I didn’t fit in in high school and I felt like a freak. So I like to create this atmosphere for my fans where they feel like they have a freak in me to hang out with and they don’t feel alone. The whole point of what I do – The Monster Ball, the music, the performance aspect of it – I want to create a space for my fans where they can feel free and they can celebrate.”

In From Workplace to Playspace, I write about “Permission-givers.” They are the people who either by their example or encouragement give us permission to risk showing our whole selves, risk stepping out of our comfort zone and experimenting with new ways of thinking and being, and risk the discomfort that comes with learning and transformation.

Lady GaGa is a wonderful permission-giver and creator of playspace. She is also a “permission-taker” as she doesn’t wait to find out what the rules are, or wait for anyone else to give her permission, she just takes it. And by taking it and pushing the boundaries through her behavior, wild costumes and music, she opens up space for others to play with their own identities and capacities.

If you pay attention, you will find permission-givers and takers in every field, and in every successful organization. They are the people who don’t take themselves too seriously to play around with new and provocative possibilities, and risk doing things differently. They may challenge you out of your comfort zone simply by the non-traditional way they show up in the world. As they do, they are making more playspace for everyone.

One of the simplest ways you can create more playspace in your work and personal life is to notice and appreciate the permission-givers. Even better, be one yourself!

Imaginative Variations

Saturday, November 28th, 2009

This past fall DePaul’s Center to Advance Education for Adults invited Meg Wheatley to keynote and lead an afternoon workshop at a conference we titled “Thriving in Transition.” (You can download Wheatley’s keynote for free at the CAEA itunesU site in the itunes store. See instructions here).

What stayed with me most from Wheatley’s talk and workshop was her provocative statement that “there is no truth” and “all of our stories are fiction.” She went on to say that we choose our stories and to consider choosing new stories if the one we are telling isn’t working for us. This was particularly timely as the morning panel discussion (also available on itunesU) was filled with stories of people who first looked on their transition as a horrible disaster, and soon found it to be a life-changing opportunity.

Brandy Agerbeck's Map of Meg Wheatley Themes

Brandy Agerbeck's Map of Meg Wheatley Themes

During the afternoon workshop we had some fun in small groups as we first told one version of our story, and then (after reconvening with new people) told a completely different version of our story. My favorite story was when, in response to the question “how do you respond to aggression?,” a very conservative-looking woman from the Chicago Archdiocese explained that she immediately began rapping when faced with aggression. In great detail she told us how she defused even the most violent aggressors by incorporating their criticisms and threats into her rap songs, and even occasionally broke into the latest street dance moves.

We delighted ourselves and each other with this lived experience of telling playful imaginative variations of our stories. Tales of fear and insecurity transformed into courageous acts; experiences of anger and frustration became filled with compassion and hope; and stories of victimization became doorways to empowered new beginnings.

Ever since that experience and the energy created in it, I have slowed down a bit and—if not in the actual moment of my story-telling, soon after—imagined other versions of the story. Perhaps the person cutting me off in traffic was not consumed in their own self-centeredness, but rushing to the aid of a sick child; perhaps the angry outburst at the board meeting was not an attack, as much as an expression of fear of the uncertain future. Each imaginative variation of the story gives us the power to reposition ourselves, make different choices and have different responses.

This practice seems particularly resonant with playspace which invites us to play new roles and create more play in the system.

The Tryanny of the Task

Saturday, November 28th, 2009

The other day at the start of a meeting with my Playspace colleagues I noticed an interesting impulse. I knew we had a lot on the agenda and a relatively short time to move through it all. I had the impulse to abandon our few minute ritual of taking some Be. Here. Now. Time to get into our bodies, release distractions and become present to ourselves and the collaboration at hand. In my anxiousness to get to the task, I also considered dispensing with a brief creative warm-up, another ritual we have adopted to bring playspace to life in our collaborations.

Gratefully, when I gingerly proposed “diving in”, Brandy and Christian spoke up and brought me back to our shared commitment. It was humbling to see how I, facilitator and champion of all things playspace and creative collaboration, can also fall prey to the tyranny of the task. The draw to get on with business can so easily eclipse the very presence and life energy that allows us to show up to that business with our whole person, and in the spirit of collaboration and discovery.

One of the many delightful paradoxes and creative tensions in playspace is that when we embrace the process, the product is oh so much richer and our level of engagement and access to creativity so much deeper—as it was in our meeting the other day. We didn’t just check off our agenda items, but had new insights and ideas at each turn AND we did so within our agreed-upon time frame!

The good news is that when we have embedded and reinforced the values of playspace in the organization, even when we momentarily succumb to the siren song of the task, we will have colleagues